Research article

Teaching across borders: inclusive pedagogy and critical media practice in a global online classroom

Authors
  • Brandon P Hollingshead orcid logo (Department of Communication and Media Studies, York University, Toronto, Ontario, Canada)
  • Kacie G Hopkins orcid logo (Department of Communication and Media Studies, York University, Toronto, Ontario, Canada)
  • Boxi Chen orcid logo (Department of Communication and Media Studies, York University, Toronto, Ontario, Canada)
  • Ankit Singh orcid logo (Department of Communication and Media Studies, York University, Toronto, Ontario, Canada)
  • Fatemeh Soleimani orcid logo (Department of Communication and Media Studies, York University, Toronto, Ontario, Canada)
  • Nicholas Taylor orcid logo (Department of Communication and Media Studies, York University, Toronto, Ontario, Canada)
  • Sebastian Yuxi Zhao orcid logo (Department of Communication and Media Studies, York University, Toronto, Ontario, Canada)

Abstract

This article addresses the teaching practice, pedagogical creativity and tensions of six international graduate teaching assistants and one ranked professor in delivering a large-format, online Introduction to Communication and Media course at York University in Toronto, Canada. The course examines critical approaches to Canadian communication and media studies and unpacks the ways media produce and challenge relations of power and injustice. While the content and structure of the course focus on Canada, students and instructors hail from around the world in a multicultural virtual learning environment. In light of this, we teach students to situate their own uses of media within relevant cultural and historical contexts, both in Canada and globally; how these uses shape and are shaped by their location within systems of power; how to articulate the relationships between everyday uses of communication technologies and the infrastructures and institutions that shape them; and how to analyse the technical, cultural and political dimensions of key communication technologies, both contemporary and historical. Using narrative inquiry as a method and a critical autoethnographical approach, and informed by principles of critical, decolonial and inclusive digital pedagogy, this article reflects on the ways we link critical media theory and critical teaching and learning praxis in a multicultural online classroom. The article also suggests ways to mainstream the United Nations’ Sustainable Development Goals on quality education and reduced inequalities in courses that do not explicitly relate to development and sustainability education.

Keywords: collaborative teaching, multicultural online pedagogy, communication and media studies, narrative analysis, international students

How to Cite: Hollingshead, B. P., Hopkins, K. G., Chen, B., Singh, A., Soleimani, F., Taylor, N. and Zhao, S. Y. (2026) ‘Teaching across borders: inclusive pedagogy and critical media practice in a global online classroom’. International Journal of Development Education and Global Learning, 18 (1), 59–74. DOI: https://doi.org/10.14324/IJDEGL.18.1.05.

Rights: 2026, Brandon P. Hollingshead, Kacie G. Hopkins, Boxi Chen, Ankit Singh, Fatemeh Soleimani, Nicholas Taylor and Sebastian Yuxi Zhao.

215 Views

57 Downloads

Published on
30 Jun 2026
Peer Reviewed

Special issue: Reimagining teacher education for the future – global perspectives at the intersection of change, hope and crisis

Teaching across borders: inclusive pedagogy and critical media practice in a global online classroom

This article addresses our teaching practice, pedagogical creativity and tensions as six international graduate teaching assistants (TAs) and one ranked professor in delivering a large-format, online Introduction to Communication and Media course at York University in Toronto, Canada. The class of more than 150 students involves several virtual synchronous tutorial sessions and a virtual asynchronous lecture. In these virtual spaces, students learn foundational theories and perspectives in Canadian communication and media studies. The course examines critical approaches to media studies and unpacks the ways media produce and challenge relations of power and injustice.

While the content and structure of the course focus on Canadian communication and media studies, students and instructors hail from around the world in a multicultural virtual learning environment. In light of this, we teach students to situate their own uses of media within relevant cultural and historical contexts, both in Canada and globally; how these uses shape and are shaped by their location within systems of power; how to articulate the relationships between everyday uses of communication technologies and the infrastructures and institutions that shape them; and how to analyse the technical, cultural and political dimensions of key communication technologies, both contemporary and historical. Thus, even though the course does not explicitly address global citizenship in its curriculum or stated learning outcomes, we nonetheless found ourselves aligning with critical and decolonial approaches to global citizenship education – particularly those that aim to ‘develop consciousness around the interrelated (human and other-than human) concepts of ecological, cognitive, affective, relational and economic justice’ (Wimpenny et al., 2024, p. 33; see also Baker and Shulsky, 2020). Using narrative inquiry as a method and a critical autoethnographical approach (Chawla and Atay, 2018; hooks, 1989) and informed by principles of critical, decolonial and inclusive digital pedagogy (Darby and Lang, 2019; Jeremic, 2021; Morris and Stommel, 2018), this article reflects on the ways we link critical media theory and critical teaching and learning praxis in a multicultural online classroom. Our capacity to share in and make use of media is shaped by our social location, including coloniality, class, race, language, geographical location, age and differences in gender, sexuality and ability. Understanding how media engage and transform these systems is central to our approach.

  1. How are media systems implicated in our personal lives and in larger social, cultural, political and economic contexts?

  2. How does the mixed synchronous and asynchronous delivery of the course allow for pedagogical creativity? What does this creativity mean for equity and access for our students, especially in an international and multicultural context?

  3. What does it mean to teach Canadian approaches, theories and perspectives to a multicultural and international student population, as an international group of TAs, in a time of heightened anti-immigrant sentiment? How can we centre other voices and ways of knowing, including from the Global South and Indigenous perspectives?

  4. What are the formal and informal ways we support our students, as individuals, in the context of a large-enrolment degree programme, large university and major metropolitan city?

Course context

This article draws from two summer semester instances of an introductory course in communication and media studies. The first instance ran from May to August 2024, and the second over the same months in 2025. The course is typically offered in the autumn and winter semesters, spanning the duration of York’s academic year from September to April. It is required for all communication and media studies majors but is open as an elective to all students. The online summer version of the course offers a more condensed experience than the normal autumn/winter version. In its timing and structure, it is intended to appeal to students transferring from other York programmes or other institutions and needing to catch up, as well as students who did not receive a passing grade during the normal year – that is, students facing a degree of precarity and uncertainty. The course attracted 100 students in summer 2024 and 150 in summer 2025. Each year, approximately one-fifth of students were communication and media studies majors; the rest were taking the course as an elective. Weekly lectures, roughly an hour long, were posted every Monday to the course learning management system, available as both a slide deck and a pre-recorded video. Weekly readings were made available for free. They usually involved some mix of academic publication and/or journalistic writing, typically totalling 15–30 pages a week. This material was made available asynchronously. Additionally, students were divided into six sections. Each section was assigned a weekly two-hour, synchronous tutorial session, run by a different TA. Students were expected to log into a dedicated Zoom room and engage in discussions, presentations and group-based work facilitated by the TA. The synchronous format of the tutorial meant that students had to arrange stable conditions in which to log in to Zoom, a challenge for many students (compounded, in some instances, by being in different time zones).

Course instructor’s perspective

As an established mid-career scholar who moved back to Canada in 2022, and whose first year of teaching at York (and first experience with this course in particular) was cut short by a strike in winter 2023, I, Nick, volunteered to teach these summer courses in order to gain more familiarity with the York student population and with the graduate student programmes that staff the TA positions. While these positions are assigned through a complex arrangement between the union representing the graduate students, the department and the Liberal Arts and Professional Studies faculty at York, all the TAs hired for these summer courses were international graduate students. This is evidence of an administrative preference for providing summer funding opportunities to a group that is too often faced with immense financial constraints. At the same time, the course is intended to introduce students to a uniquely ‘Canadian’ perspective on communication and media studies, an expectation made more acute given the Trump administration’s explicit threats to Canada’s sovereignty. This is a pressure I faced with some ambivalence, given the institutional and historical tensions structuring the course: how to teach a Canadian perspective on communication and media studies during what is certainly a crisis point in Canadian national sovereignty, but set within the broader context of reconciling it with the colonial and genocidal history of the nation, not to mention the white supremacist underpinning the field (Chakravartty et al., 2018)? This led to further critical reflections on the tensions facing not just the instructor, but the entire teaching cohort: given the team was supervised by a white settler recently returned to Canada, serving a student group who were themselves distributed all over the world, how well positioned were any of us to delineate what is ‘inside’ or ‘outside’ the purview of Canadian media studies – and how well served would we be by such boundaries? At a more practical level, how could we encourage students’ meaningful participation in the context of a semi-asynchronous course that many were taking out of necessity and often in highly precarious circumstances? Such were the challenges facing the course. Its success (judging by the quality of student work, and the level of engagement reported by the TAs and evidenced by the activity on eClass) is a credit to the creativity and commitment of the TAs.

Literature review

Our collective and individual approaches to inclusive, multicultural and global learning are contextualised by university commitments in our institutional Decolonizing, Equity, Diversity and Inclusion Strategy 2023–2028 (the strategy text is available at Yorku, n.d.). This ambitious plan is rooted in principles of decolonisation, equity, diversity and inclusion (DEDI), as well as related principles of accessibility, anti-racism, human rights, Indigenous rights, intersectionality, reconciliation, rights of the planet and social justice. Furthermore, the DEDI strategy is situated within our university’s larger contributions to advancing the United Nations’ Sustainable Development Goals (SDGs), particularly SDG 4 on quality education and SDG 10 on reduced inequalities. In this framework, the university recognises the practice of teaching and learning as key to cultivating education, fostering meaningful relationships, taking responsibility and taking action, both for sustainability and for diversity. The DEDI strategy is predicated on the tenets that colonialism is a structure and a practice, that colonialism is historical and ongoing and that decolonisation requires the interrogation and restructuring of academic institutions, knowledge production, teaching and learning and Euro-western worldviews (Cote-Meek, 2014; Tuck and Yang, 2012; Veracini, 2010). York’s commitment to decolonisation includes ‘identifying and responding to the ways that Euro-western worldviews, structures of governance and individualistic values have organized our relationships with humans and non-humans, to our work, ourselves, and one another’ and ‘recognizes Indigenous rights, including Indigenous Peoples’ right to self-determination’ (York University President’s Advisory Council on Equity, 2023, p. 9). The first principle of the DEDI strategy emphasises decolonising the classroom through teaching and learning. In our Communication and Media Studies Department, this includes ongoing engagement with a process to decolonise our courses, curriculum and programme of study. The transformation, decolonisation and internationalisation of our course begins with the recognition of diverse ways of knowing and being (Wimpenny et al., 2024). It entails the utilisation of universal design in curriculum development and delivery as a strategy for inclusivity and decolonisation (Fovet, 2021). Taking up Van Houweling’s (2021) efforts to decolonise online pedagogy, we outline below what York’s DEDI commitments look like in practice in our virtual learning spaces.

Methodology

As a collaborative group of one professor and six graduate TAs, we practise narrative analysis by placing self-reflective stories regarding each author’s pedagogical practices and the groups’ diverse identities side by side. We critically analyse how our personal and cultural experiences interact with one another (Ellis et al., 2011; Bochner and Ellis, 2016). We examine our positionalities and our diverse educational backgrounds in communication studies. Understanding these personal and cultural connections, we see how our global pedagogical approach to this course is heavily influenced by our positionalities. Thus, our practice of narrative analysis is specifically a collaborative critical analysis (Carless and Douglas, 2021), which is how we as the researchers interrogate ourselves in relationship to and in the context of structures and systems, ideologies, assumptions and norms of Canadian communication studies. Moving forward with this analysis, we realise that our diverse identities within this Canadian communications class give us an opportunity to lean into a decolonial praxis. As a result, our narrative analysis for this research is a process of our decolonial educational praxis that we bring to this course (Chawla and Atay, 2018; Chawla and Rodriguez, 2008).

Narrative analysis scholars Chemi and Firing (2024) specifically discuss how educators who come together in collaborative writing build pedagogical tools centred on care. For them, care is aligned to hooks’s pedagogy of love, which is also a decolonial, anti-racist and anti-oppressive pedagogy. Collaborative writing is not just the methodology of our narrative analysis but is also a decolonial praxis that informed our pedagogy. It tells us that our own positionalities invite us to learn alongside the students to create critical, multicultural and caring learning experiences. We find ourselves organically practising what hooks (1989) calls the politics of location, which ‘calls us to participate in the formation of the counter hegemonic cultural practice to identify the spaces where we begin the process of revision’ (p. 15). To understand this politics of location we acknowledge each of our own positionalities. Our positionalities are much deeper than just TAs and course director. They include our racial, ethnic and gender identities, our class and the locations where we were educated and worked previously. In her narrative about her own use of politics of location, hooks (1989) continues to state: ‘We looked both from the inside and the out. We focused our attention on the centre as well as the margin. We understood both’ (p. 20). By acknowledging this practice, we see that each of our unique positions in this course give us space to see both the centre and the margin, in our case, the teachers’ view and the students’ view.

To practice our collaborative narrative analysis, we met virtually in multiple ways. First, we met over an email chain as we began to debrief our teaching experiences from the communication course. We met virtually over Zoom, which allowed each of us to voice our narratives one at a time to each other. This relational work allowed us to hear the teaching strategies that each of our colleagues used to teach the course. It also gave us a greater understanding of our own diverse backgrounds as a teaching group. We realised that while our individual teaching strategies were similar, there were distinct differences based on each of our physical locations and distinct cultural backgrounds that impacted each instructor’s relation to the course material, the students and one another. After our Zoom discussion, we decided to continue working relationally to find core themes. We did this by developing individual personal narratives in a shared document, email chains and over a recorded video meeting. We found analytic themes in each of our personal narratives that drew on both pedagogical processes and identity. As the narratives came together, we recognised analytic themes that led to our guiding questions about how we, as a multicultural collaborative teaching group, actively practise critical approaches to Canadian communication studies, our commitments to diversity, equity and inclusion, and our focus on celebrating our students’ dignity and humanity.

Pedagogy vignettes

The following pedagogy vignettes are narrative analyses which demonstrate how we as a diverse group of educators provide differentiated pedagogy strategies that align with our own individual positionalities, or as hooks calls it, our politics of location.

Teaching assistant perspective 1: applying critical pedagogy to navigate cross-cultural online learning 

I, Kacie, completed my MA degree entirely online while living in a remote region of the United States. My online graduate school experience offered me opportunities to work digitally with classmates and professors from around the world who were also taking the online programme because this was a better fit for external (outside school) lifestyles and responsibilities. Like many of my classmates in the online programme, I would not have been able to complete my master’s degree without the flexibility afforded by digital learning, particularly as we navigated significant external constraints including full-time employment, remote living conditions, caregiving responsibilities, work-related travel, military deployment and other complex circumstances. This experience cultivated a substantive appreciation for global learning and for engaging within a digital-classroom community characterised by diverse cultural backgrounds and worldviews.

My pedagogical approach in this Canadian communication course is influenced by my online global learning experience as I was a TA for the communication course in its digital format. The students in my tutorial attended online each week and came to our weekly discussions from all over the world. Students joined from various time zones, some being in the middle of the night; students joined before or after long work shifts; and students joined while navigating caregiving jobs. As I embarked on this learning and teaching journey, I was frequently reminded of my own online graduate school experiences and of how my classmates and I navigated the dual demands of successfully completing our coursework while managing our broader life responsibilities. This awareness enhanced my ability to relate to the undergraduate students I taught in this large, diverse online course. Like my peers in my online MA programme, many of my undergraduate communication students were navigating the unique demands of online learning while simultaneously managing substantial personal and professional responsibilities. These pressures shaped the diverse worldviews they brought to the global classroom, as students worked to balance their individual life circumstances alongside the broader influences of systemic social issues and ongoing political and economic upheavals that influenced their everyday lives.

Accordingly, the inclusion of diverse worldviews has become a teaching tool. I dedicated tutorial time to fostering dialogue about students’ geographic locations, employment and volunteer engagements, and the ways in which the course could contribute to their academic and professional trajectories. This became a strategy in teaching positionality, which is a critical pedagogical tool that I learned from my graduate school professor Darryl Meekins (Education by Design, 2025), who balanced critical pedagogy (Freire) with cultural intelligence (Livermore, 2009) and digital learning in my online graduate school. Merging critical pedagogy, cultural intelligence and digital learning creates a shared pedagogical space in which students and instructors collectively reflect on their lived experiences and develop critical consciousness about their positionality in relation to global systems of power and knowledge.

Thus, my fellow communication teaching colleagues discuss practical ways in which they tackled this in each of their tutorials. For instance, my colleague Sebastian created Chinese-language videos to help Chinese speakers understand the Canadian communication content, and my colleague Boxi used what he calls a hybrid cultural position of being Canadian with Chinese roots to understand the challenges that international students face when studying Canadian communication.

Teaching assistant perspective 2: inclusive, task-based teaching across borders in an online Canadian communication course 

As an international graduate student transitioning from language education into communication and cultural studies, my, Fatemeh’s, approach to teaching CMDS 1000 in my first year of the PhD in summer 2025 was shaped by both my pedagogical background and my experience adapting to a new academic environment. Working with a team of other international TAs under the supervision of a Canadian professor, I quickly recognised the unique dynamics of teaching an online summer course on Canadian communication and culture to students dispersed across different time zones. Many entered the summer online tutorials with varying levels of familiarity with Canadian media and brought diverse linguistic and cultural repertoires, an observation consistent with research showing that internationalised classrooms often incorporate multiple educational backgrounds and expectations (Lee and Anderson, 2013). These conditions made it essential for me to design the tutorials’ content and format in a way that supported accessible and meaningful participation for all students, regardless of where they were joining from, especially given the additional challenges reported in online learning environments (Martin and Parker, 2014).

Drawing from my experience in language teaching, I relied on task-based and activity-centred pedagogy rather than lecturing. Thus, I structured each tutorial around group-work tasks that required students to apply course concepts collaboratively. I prepared multiple small-group activities each week: concept-mapping; short debates; comparative analysis tasks and reflection prompts, which students completed in two Zoom breakout rooms (30–45 minutes) before returning to a discussion with the whole group. This design supported learning-by-doing, which is particularly effective in online environments where passive listening can quickly diminish engagement (Martin and Parker, 2014; Prince, 2004). It also accommodated students who felt more comfortable participating in smaller groups, especially those for whom English was an additional language or who were new to Canadian academic norms.

Given the emphasis on communication and culture in the course, I intentionally integrated comparative examples from different national contexts to support comprehension and inclusion. I noticed that students engaged more confidently when they were invited to juxtapose Canadian media institutions, technological systems or cultural narratives with examples from their own countries. Discussions of topics such as algorithmic bias became especially productive when Canadian cases were compared with Persian, Indian or East Asian examples contributed by students or drawn from my own experience. This approach aligns with culturally responsive pedagogy, which highlights the importance of connecting new concepts to learners’ existing cultural frameworks (Gay, 2018; Ladson-Billings, 1995). It also proved effective in discussions of course readings, including Light’s (1999) ‘When computers were women’, which I used not as a case to analyse in isolation but as an entry point into broader questions of labour, visibility and power that students could examine across multiple cultural and technological contexts.

Another philosophy underlying pedagogy in this course was also informed by my research interest in, and scholarly work on, inequality in digital systems. Benjamin’s (2019) argument that discrimination can be embedded into technological design by default and Noble’s (2018) analysis of how search engines reproduce racial hierarchies helped me design discussions in ways that encouraged students to connect theoretical themes to familiar digital environments. These works supported my broader aim of helping students see communication and media studies not as abstract theory but as tools for understanding everyday digital life.

Overall, teaching CMDS 1000 as part of an international TA team highlighted the possibilities of inclusive, activity-based pedagogy in online, multicultural classrooms. By combining group-work structures, comparative cultural examples and critical theoretical framing, I aimed to create a learning environment that supported equitable participation for students distributed across global settings. This experience underscored how international TAs can bring distinct pedagogical strengths to courses that introduce ‘Canadian’ communication, helping students arrive at understanding through collaboration, practice and culturally grounded engagement.

Teaching assistant perspective 3: Canadian communication across modes and cultures 

I, Boxi, had the opportunity to serve as a TA for CMDS 1000 across multiple semesters, including the autumn and winter terms, as well as in the online format offered during the summer session. I found that the delivery format had a huge impact on student engagement and learning outcomes. Both my online and in-person tutorials were organised in the same way: review key concepts of the weekly readings, move to student presentations of assigned readings and end the sessions with discussion questions to encourage student participation. In the online format, I observed that students often relied heavily on PowerPoint slides instead of discussion for learnings. Additionally, all the students had their cameras off, which made it difficult to observe whether they were fully engaged. In contrast, in-person sessions allowed for more instantaneous interaction and feedback, and viewing the participating students was easier. To address the issue of participation with the online formats, I encouraged students to participate in the online chat and provided immediate feedback to their responses, as timely and substantive feedback is essential for improving student satisfaction and academic success (Lu, 2020).

I also used breakout rooms for small-group discussions, which allowed me to monitor student participation by verifying if their microphones were active or muted. Student engagement improves when online learning environments effectively facilitate collaboration and shared goals (Kahn et al., 2016). In breakout rooms, students worked in small groups to discuss the assigned questions and contribute their ideas to the class discussion. This encouraged more active participation and collaborative learning.

Having grown up in Canada with Chinese cultural roots, I have a hybrid cultural position that shapes how I understand and teach communication. This positionality allows me to anticipate the challenges that international students may face when learning Canadian communication. In a classroom with students from multiple national backgrounds, I am aware of how cultural norms influence the ways people express themselves and participate in discussions. I incorporated examples from different countries to help students understand the concepts. For instance, when discussing media regulations, I contrasted Canadian media systems with examples from the UK and China to illustrate how media systems operate in state-controlled versus independent contexts. Using examples is more effective than relying solely on writing materials (Lee and Anderson, 2013) and I believe examples helped my students to better understand the communication concepts and made the sessions more engaging.

Students may also differ in their familiarity with Canadian communication and media studies, so it is important to design the tutorial in a manner that is accessible to all students. Strategies such as group discussions and breakout rooms can improve engagement, but I have noticed that it is crucial to ensure each student has a chance to participate and share their own unique thoughts. Furthermore, I believe having TAs with different backgrounds adds another layer of richness. Our perspectives can help students see Canadian communication from multiple angles, and within a broader global context. I believe teaching is about equity, inclusion and connection; it is about creating opportunities for all students and instructors to participate, reflect and engage despite their differing backgrounds.

Teaching assistant perspective 4: challenging Eurocentric pedagogy through culturally responsive teaching beyond the classroom 

Since I, Sebastian, joined my PhD programme in autumn 2020, I have worked as a TA for CMDS 1000 every year under the instruction of different professors. Supporting my students continually reminds me of the obstacles I encountered when I first came to Canada as an undergraduate. As a TA, I have observed that many overseas students and students who speak English as an additional language (EAL) still experience limited academic performance due to challenges related to proficiency in English and cultural adaptation. Although linguistic and socio-cultural factors are often viewed as the primary barriers for these students (Pratt, 2016; Zhao and Ebanda de B’beri, 2022), recent studies argue that focusing solely on their ‘inadequacy’ individualises broader systemic problems embedded in Eurocentric pedagogy in Western universities (Ji and Chen, 2023; Yu, 2023). Specifically, Yu (2023, citing Kubota, 2001) suggests,

accentuating negative images of Asian students is a strategic way for researchers to ‘[leave] the impression that positive images of U.S. classrooms are neutral, factual, and real’ (p. 23). As a result, by exaggerating Chinese students’ difficulties and struggles, this deficit-informed research ironically perpetuates the ethnic stereotypes they seek to debunk. (p. 112)

Meanwhile, although Canada is widely known for its multiculturalism policy, Bannerji (2000) argues that this policy often functions as a political tool to manage and contain diverse populations rather than to genuinely promote inclusion. Ethnic media, crucial to the cultural development of minority communities, also faces limitations due to obscure infrastructures, with constraints on space, autonomy and scale of operation (Hayward, 2019). In contrast, Alencar (2018) and Wessendorf and Phillimore (2019) contend that integration into a host society should not be a one-way process in which students must simply assimilate. Instead, they advocate for a two-way process that ensures equitable access to social resources and encourages institutional change. These studies emphasise that Canada, as a receiver of international students and immigrants, and post-secondary institutions, as key financial and symbolic beneficiaries, must implement more inclusive practices, listen to students’ needs and provide appropriate support to enhance their chances of academic survival. Meanwhile, Wagener and Eich (2025) argue that cooperation between educational institutions and development-orientated non-governmental organisations (NGOs) can help students develop a more nuanced understanding of complex global challenges, particularly in the Global South. Similarly, collaborative online international learning has been suggested to enhance students’ ability to think beyond disciplinary and national boundaries, a quality that proved essential during the Covid-19 pandemic (Wimpenny et al., 2024). Together, these studies demonstrate the potential for internationally orientated online curricula and NGO collaborations to cultivate students’ capacity for global citizenship and a cosmopolitan vision.

Inspired by these theoretical insights, in 2022 I began producing educational videos on YouTube and its Chinese equivalent Bilibili that offer concise explanations of key communication theories in Mandarin. As both a PhD candidate and a TA, this is a personal initiative to support Chinese international students in our courses, and by sharing these videos publicly, many other students benefit as well. The videos extend learning beyond the classroom and allow me to engage with learners more closely by providing asynchronous review options and culturally responsive resources tailored to students who may feel hesitant to ask questions in class. In comparison with my tutorials, I incorporate popular culture references more familiar to Chinese students, allowing for culturally specific engagement. This personalised narrative style breaks the traditional dynamics of university tutorials and lectures by creating a more intimate and humorous form of knowledge exchange, thereby offering a more inclusive virtual learning environment (Roose, 2022). I choose to produce concise, 10-minute videos not only because of my limited time as a student but also because of my own experience as an EAL scholar. When preparing for my doctoral comprehensive exams, I often struggled with the dense and confusing language of certain theorists and I found educational podcasts and book reviews extremely helpful for quickly summarising key ideas and outlining major debates. Short videos may not capture a theory in its full complexity, but they provide a valuable starting point for students to grasp the main arguments in a familiar language, preparing them to engage more confidently with the original readings and lectures. This approach supports students’ gradual adjustment to an English-speaking academic environment by offering an accessible entry point, a reflection of the need for socially and institutionally responsive pedagogical practices. This project also allows me to participate in decolonial knowledge creation that fosters a ‘cosmopolitan vision’ among students who are not directly exposed to Western academic settings by using platforms like YouTube or Bilibili, thereby embodying the ideals of inclusive global citizenship. Canadian academic institutions could adopt this decentralised method as a model to develop online programmes that facilitate productive collaboration between domestic and foreign learners. With this strategy, international students can use their distinct cultural capital to co-engage in knowledge production, transcending the role of passive learners to active contributors in a true globalisation of intellectual discourse, while local students can develop a cosmopolitan vision through successful cross-cultural collaboration (Wagener and Eich, 2025; Wimpenny et al., 2024).

Teaching assistant perspective 5: from journalism to world-making – postcolonial limits to teaching-learning communication 

In the postcolonial context, communication studies emerged as a narrowly bounded discipline rather than an expansive field of inquiry, shaping both its institutional history and its pedagogical limits. In contrast to North America, where communication emerged through a phasal and plural process, the Indian subcontinent, for instance, where I, Ankit, have studied, remained largely unilinear and vocational. In the United States, it developed through a long internal tension between rhetorical-interpretative traditions and empiricist social-scientific approaches, with theories and research work often emerging indirectly from debates about persuasion, public life, social interaction and media effects. The field was shaped by recurring struggles over method, legitimacy and disciplinary identity – producing a heterogeneous but internally contested intellectual formation (Eadie, 2012). Canadian communication studies crystallised around a different problematic. Rather than centring persuasion or behavioural effects, Canadian scholarship approached communication from the outset as an expansive field of inquiry rather than a bounded discipline. Shaped by interdisciplinary engagements with media and technology, as well as culture, history, geography and political economy, communication was treated as a structural condition organising social life, both spatially and temporally. This orientation widened communication studies beyond individual expression or message transmission (Eadie, 2012).

Unlike these plural and internally differentiated trajectories, communication studies in India consolidated along a far narrower path, anchored predominantly in journalism and information dissemination, with little comparable expansion into theoretical, philosophical or critical engagement with communication as a constitutive social process (Dwivedi, 2021; Rajan, 1990). This trajectory limited the progression of communication studies from a discipline to a field, confining it to rigid disciplinary contours. Even in the decades after independence, communication education effectively remained synonymous with journalism training, with curricula overwhelmingly orientated towards reporting practices, editing, printing technologies and media management, rather than towards theory, rhetoric or interdisciplinary inquiry (Rajan, 1990). In the post-independence period, media education in India expanded institutionally, though largely within the same vocational framework. Universities such as the University of Calcutta, Maharaja College in Mysore, Osmania University and Nagpur University introduced a range of courses related to journalism and media practice, further consolidating media studies as a professional domain rather than an expansive field of inquiry (Dwivedi, 2021).

The establishment of the Indian Institute of Mass Communication (IIMC) in 1965 marked a significant institutional milestone, but it also reinforced this orientation. Conceived within the developmental priorities of the postcolonial state, IIMC functioned as a national centre for training personnel for information services, government publicity and mass media institutions. Its pedagogical emphasis lay in professional skill formation, media technologies and institutional infrastructure, consolidating a transmission-orientated understanding of communication aligned with state-led models of information dissemination (Singh, 1980). Even though research-orientated components were gradually introduced over time, the field continued to struggle against disciplinary rigidities. Many university departments remained print-centric, understaffed and only weakly integrated with wider debates in social theory, history, geography or political economy (Rajan, 1990). This disciplinary orientation becomes especially evident when we examine the nature of courses and degrees offered by key institutions such as the IIMC. A review of the institute’s website reveals that its academic offerings remain overwhelmingly structured around professional journalism and media training. These include postgraduate diplomas in journalism across multiple languages – English, Hindi, Odia, Marathi, Malayalam and Urdu – as well as specialised diplomas in radio and television journalism, advertising and public relations and digital media. While these programmes differ in medium and linguistic focus, they share a common pedagogical emphasis on news production, media technologies and professional skills. Notably absent are programmes orientated towards communication theory, rhetoric, political economy or interdisciplinary inquiry, underscoring how communication continues to be institutionalised primarily as vocational training rather than as an expansive field of study. (For more on this, see IIMC, n.d.)

As a result, communication studies in India rarely expanded beyond the domains of production, infrastructure and information transfer. This narrowing of communication into a transmission-orientated discipline reflects a broader postcolonial condition. Postcolonial scholarship has long argued that colonial modernity privileged instrumental communication and administrative rationality, displacing relational and collective ways of knowing. This epistemic inheritance continued to shape communication studies, which came to be understood less as a constitutive social relation and more as a functional tool of governance and development. In the postcolonial context, communication was often understood, at the level of socio-cultural subtexts, as collective and world-sustaining rather than merely instrumental or informational. This sensibility was not confined to cultural imaginaries alone but also found empirical articulation in scientific inquiry. Jagadish Chandra Bose’s work on plant electrophysiology, for instance, unsettled anthropocentric models of communication by demonstrating that plants respond to stimuli through electrical signals, thereby extending communicative capacity beyond the human realm. Despite political independence, however, postcolonial states largely retained the colonial framework of governmentality, driven by the continued imperative of subject formation and administrative control. This persistence produced a structural disjunction between text and subtext: while postcolonial societies carried forward relational, collective and ecological conceptions of communication, state practices remained anchored in colonial logics of governance. It is this unresolved tension that helps explain the enduring mismatch between cultural imaginaries and institutional rationalities in the subcontinent, and in postcolonial nations more broadly.

This course had both a TA, me and students from this disciplinary landscape too, truly shaping a global classroom. Early discussions with students about what they understood communication to be revealed a somewhat unilinear conception, one centred on the transfer of messages, shaped less by formal training alone than by the dominant media environments they inhabit. Teaching this course therefore proved pedagogically transformative. It not only challenged students – Indigenous, settler, diasporic such as South Asian alike – to rethink communication beyond transmission but also reshaped our own orientation as TAs.

The virtual classroom emerged as a shared critical space in which communication was reimagined not as the successful transfer of information, but as circulation, partaking and the sustaining of a shared world. Drawing on John Dewey (cited in Peters, 2000, pp. 16–19), communication was approached as the condition of social life itself, an ongoing process through which meaning arises from shared experience rather than from the delivery of messages. This understanding was deepened through a Heideggerian sensibility, where communication appeared as a mode of being-with (Mitsein), grounded in situated engagement and co-presence rather than in abstraction or control (Heidegger cited in Peters, 2000, pp. 16–19). In this frame, communication was no longer a technique or skill but was instead a relational condition of existence. John Durham Peters’s critique of transmission models further clarified this shift by reframing communication as a practice of partaking in and maintaining a common world, rather than as the guarantee of mutual understanding. For Peters (2000), communication does not depend on consensus or reciprocity; it enables cohabitation across distance, asymmetry and difference, and allows social life to persist even when understanding fails. Encountering communication in this way proved especially illuminating for students whose media environments encourage atomised selfhood, private consumption and expressive individualism. The course readings and discussions opened an alternative axis of thinking, foregrounding communication as shared existence rather than possession, an insight made tangible through ecological analogies, such as how plants communicate through interconnected root systems in forests, sharing resources and conditions of survival (Grant, 2018). For many students, this relational reframing disrupted the assumption of the atomised self and reorientated communication as a collective, world-sustaining practice through which communities, histories and futures are continually made.

A concrete illustration of this relational framework emerged during a class discussion on digital platforms and their impact on everyday communication. To move beyond abstract critiques of platform capitalism, I asked students to recall their experiences with local/neighbourhood grocery shopkeepers and to reflect on the forms of engagement that took place there. What followed was a convergence of deeply personal yet structurally similar accounts. Students across regions described relationships built not on explicit transactions, but on familiarity, trust and shared rhythms of everyday life. One student from Ghana recalled never having to specify the brand of detergent or soap at the local shop: the shopkeeper knew the household’s preferences well enough to hand over the correct item without asking. Another student described the grocery shop as a space of anticipation, where a small chocolate after billing was not a commodity but a relational gesture. A student from India remembered stopping by the neighbourhood shop after school to collect house keys, as both parents worked, an everyday act that folded care, responsibility and trust into the space of commerce.

These narratives revealed the shop not merely as a site of exchange, but as a shared communicative world, one sustained through repeated acts of partaking rather than explicit transfers of goods and commodities. This became evident when we posed a simple question: can such a commonality of experience exist when groceries are ordered through digital platforms? Do we know the algorithmic interface in the way we once knew the local shopkeeper, through shared spaces, minor acts of care or unspoken understanding?

The room fell silent. To make this moment legible, I raised a follow-up question: ‘Notice how difficult it is to name what is missing?’ After a pause, students across the room expressed agreement, not because they lacked opinions, but because the loss was experiential rather than conceptual. In that moment, the limits of platform-mediated communication became palpable. What platforms replace is not only the local shopkeeper, but also the communicative world built through partaking, one that cannot be replicated through algorithmic interfaces designed for efficiency, anonymity and individualised consumption.

This pedagogical experience clarified for us that teaching communication is not simply a matter of imparting knowledge of techniques/infrastructures or analysing media systems, but of engaging students with the conditions of social being that communication itself brings into existence. It is relational. Approaching communication as relational and world-sustaining allowed us to foreground how dominant, instrumental models, now amplified by platform logics, reconfigure subjects as isolated, consumptive and endlessly expressive selves while rendering the labour and relations that sustain digital life increasingly invisible (Fuchs, 2015; Terranova, 2012) and racially oppressed (Benjamin, 2019; McFadden, 2014). In this sense, pedagogy became a practice of attending to the co-constitutive relationality through which communicative worlds are formed. Instead of prioritising mastery or efficiency, our teaching practice sought to invite students to reckon with communication as an ontological force through which collective life is continually made, maintained or diminished.

Teaching assistant perspective 6: interrogating coloniality in Canadian media policy and centring Indigenous-created media 

We were committed to critical inquiry, interrogating positionality and power dynamics, and analysis of technical, cultural and political dimensions of media and communication technologies. I, Brandon, along with my teaching colleagues on this course, intentionally addressed the history and current manifestations of coloniality and modernity in the politics of education in Canadian higher education. This section addresses some of the ways we approach Indigenising the curriculum with First Nations, Inuit, Métis and Indigenous-centred perspectives. The emphasis is on ways students learned about, reflected on and considered these perspectives in their own communication and media practices.

One goal was to engage our international and domestic students alike in learning about the settler colonial history of Canada that repressed Indigenous ontologies, epistemologies and pedagogies. From 2008 to 2015, the mandate of the Truth and Reconciliation Commission of Canada (TRC) was to gather testimony from survivors of the residential schools’ system and to assess the history and living legacy of this system. This process culminated in 94 calls to action for reconciliation. Coulthard (2014, pp. 6–7) contends that the governments and courts of Canada continue to function with settler-colonial ideologies and practices, despite shifting from overtly assimilationist and exclusionary positions to positions of recognition and reconciliation. In response to the hegemonic uses of reconciliation and recognition in government apologies for the shameful history of Canada’s residential schools’ system, Coulthard (2014) advocates for ‘a resurgent politics of recognition’ (p. 179) that is rooted in decolonisation and land-based and sovereign Indigenous authority. Education is addressed extensively in the TRC action item recommendations, with specific calls for post-secondary institutions to integrate Aboriginal knowledge systems in teaching, learning and research. Our university pursues these action items in the institution’s Decolonizing, Equity, Diversity and Inclusion Strategy 2023–2028. In this course, students were taught to identify and question the relationship between media, culture and power. Students also considered approaches to communication and media studies beyond Western and hegemonic conceptions. The colonisation of knowledge is a continual reproduction of coloniality (Mignolo, 2007, p. 450); it is directly linked to the political and economic coloniality of power. De-linking and unlearning can be seen as the processes of rejecting the colonial matrix of power and the centrality of Euro-western knowledge formations.

In a unit on writing, for example, we attended to Harold Innis’s (2011) foundational contributions to the Toronto school of communication studies by explaining the ways time-based and space-based writing systems relate to social organisation, power and control, particularly in the ways empires are formed and continually reproduced. In keeping with land-based and place-based practices of Indigenous pedagogies, we countered hegemonic systems of writing with the consideration of non-alphabetic writing technologies, such as Indigenous practices of bending and shaping trees to indicate the locations and significance of different sites – a geo-graphy that literally inscribes writing on the land. In the major assignment for the final unit on networks and infrastructure, students were required to spend time on the land. They created a photo essay of the infrastructures and networks in their neighbourhoods and communities. Students then reflected on (1) the physicality and materiality of the network and its nodes; (2) what is circulated within the infrastructure, how and why; (3) how the infrastructure mediates experiences of space and time; (4) who owns the infrastructure and the policies that oversee its use; and (5) the layers of privilege in accessing, using and democratically managing the infrastructure’s services (this description of the assignment guidelines is modified from the instructional material developed by Taylor).

Other class discussions and activities investigated how Canadian media shares stories, perspectives and experiences to collaborate in the ‘shared worldbuilding’ of Canada. We also considered Canada’s multiple distinct cultures and how to reconcile Canada’s violent legacies as a colonialist state. In one tutorial activity, students examined federal and government-funded media outlets. We interrogated how Canadian media entities embody a ‘“Canadian spirit”, a bond that defines as Canadian in their soul the constituents of the nation-state’ (Gasher et al., 2020, p. 180). Students were placed into small groups and directed to review the Heritage Minutes videos website repository (see Historica Canada, n.d.). Students were then given time to watch videos and collaboratively address two questions:

  1. What does the Heritage Minute tell us about Canadian culture?

  2. Critically examine the Heritage Minute. How does it bring together concepts of visual media, cultural belonging and communication policy?

This activity was designed to help students understand key terms related to Canadian communication policy, Canadian identity formation through media and the role of media in perpetuating shared Canadian values and beliefs. Students formulated responses in small groups then shared their videos and insights with the full class. To open the conversation to diverse, global and international perspectives, we addressed two further questions in a full class discussion:

  1. 3.

    Do you see yourself and/or your community in these representations of Canada, Canadian-ness and the Canadian ‘spirit’?

  2. 4.

    If not, what kinds of policies could support a sense of belonging?

The next case students considered is the Aboriginal Peoples Television Network (APTN), established in Canada in 1999 as the first national Indigenous broadcaster in the world. APTN delivers a variety of news, sports and entertainment content that centres Indigenous stories, perspectives, issues and, crucially, languages. Students read an editorial by APTN from the network’s 20th anniversary (Martens, 2019). At the end of this tutorial session, they were asked to pay attention to the week’s news coverage on CBC media outlets and on APTN outlets. At the start of the next session, we compared and contrasted CBC and APTN news coverage and the implications of these similarities and differences in expressing Canadian and Indigenous identity/identities.

Discussion

These pedagogy vignettes reflect our practice of teaching Canadian communication and media theory at a Canadian post-secondary institution. Our shared course content and individual instructional activities addressed ways that media systems impact our personal lives and larger social, cultural, political and economic structures. Topics included Canadian media policy and practice, varied communication technologies, algorithmic biases, platform capitalism and digital infrastructures. Throughout, we approached the course subject matter from a critical perspective: (1) to illustrate how media systems perpetuate and reproduce hierarchies and inequalities, and (2) to centre other ways of knowing, other voices and perspectives from Indigenous and Global South communities. Though our vignettes focused on teaching communication and media, our reflective and collaborative methodology and our pedagogical creativity revealed three findings we feel are applicable more broadly in global learning contexts.

First, to create meaningful, inclusive and multicultural learning spaces, we critically analysed our positionality and invited our students to participate in critical reflection with us. We are a diverse cohort of one Canadian course director and several multicultural TAs. Our student population demographics reflect Toronto’s and Canada’s openness to diversity. Our course attracted a diverse array of declared majors and non-majors alike. However, diversity was not the end goal, but a starting point in our course design. Questioning our own cultural frameworks afforded us the freedom to legitimise the perspectives and contexts of our students. Our practice of critical inquiry allowed us to consider and reshape the frameworks by which knowledge was produced, shared and investigated, with an emphasis on global, multicultural and intercultural learning. This practice, in turn, connects to larger university commitments to DEDI. Though our course is not explicitly about education for sustainability, our DEDI efforts also contribute to university initiatives that advance reduced inequalities in SDG 10. Though it is placed within our disciplinary context of communication and media studies, we feel our approach to critical inquiry and reflection on positionality is widely applicable across a variety of disciplines and subject matters.

Second, reimagining our instructional delivery with decolonising perspectives created meaningful engagement with theory and praxis. Rather than frame Canadian perspectives as the standard and other perspectives as peripheral, we continually engaged in a practice of examining and contesting what it means to study Canadian media and communication theory. We engaged in decolonising teaching practices that examined how our subject matter varies in colonial and postcolonial settings (such as Ankit’s exploration of the history of communication studies in India compared with Canada) and how Indigenous ontologies and epistemologies intersect with our subject area (such as Brandon’s activities on identity and belonging in Canadian federal media and Aboriginal-created and centred media). In this way, place-based knowledge, experiential learning and practical activities make abstract decolonising concepts tangible and personally relevant for us and our students. This strategy of centring decolonisation topics in students’ lived experiences and community issues can be taken up in many disciplines and classroom settings under the auspices of SDG 10 on reduced inequalities.

Third, and most broadly, the mixed synchronous and asynchronous virtual course modalities created space for pedagogical creativity and enabled equity and access. This structure enabled access and participation from students within Canada and from international students who returned home for the summer term. Overcoming challenges of remote instruction platforms (such as slide-deck fatigue, camera-off anonymity and engagement drain, to name a few) was a motivating factor in our pedagogical creativity. As the vignettes show, we engaged in decentralised knowledge sharing (such as Sebastian’s cross-cultural videos), distributed knowledge creation tasks (such as Fatemeh’s activity-based instruction) and peer-led inquiry (such as Boxi’s student presentations). This encouraged meaningful learner-to-learner, learner-to-instructor and instructor-to-learner interactions in individual and collective virtual learning spaces.

Conclusion

We offer one final narrative that illustrates the ways that global learning, pedagogies of care and critical inquiry of communication and media connect: our individual and collective responses to the unexpected death of a student in summer 2025. The student, a 23-year-old Indian national studying in Canada, was an avid gamer and YouTuber nearing the completion of his degree. This was a time of fraught political tension around international students and xenophobia against Asian and South Asian immigrants in Canada; South Asian populations represent the largest racialised group in Canada, with India representing 44 per cent of this population (Government of Canada, 2025). In his remembrance of the student shared with the class, Taylor urged all students – Indigenous, settler and international students alike – to extend compassion and understanding to those facing precarious circumstances, particularly the precarity of international students.

In tutorial sessions that week, TAs held space for students to ask questions, express their feelings, honour the burdens international students carry and comment on the weighty challenges of other domestic and international concerns. The lessons and discussions then focused on computing and algorithmic bias. One student, returning to the loss of their peer, commented on the acceleration of anti-immigrant and anti-international student biases through social media. Several students expressed personal examples of racist encounters they endured online and in person in the Greater Toronto Area. In informal and anonymous student check-in assignments following this lesson, students expressed gratitude for having a space to acknowledge the loss and to discuss the larger political tensions around international students in Ontario, and they saw the connections between technology, power and human relationships with each other and with media. In honouring our students’ dignity and humanity – as well as their ambitions and sorrows – our remote tutorial sessions and online classroom space became a site of connection. Through our individual and collective commitments to critical inquiry and transformative pedagogy, we were able to engage in a teaching and learning practice that centred decolonisation, equity, diversity and inclusion, that translated these concepts from aspirations to action, and that modelled principles of respect, care and compassion.

Authorship contribution statement

Nick Taylor (Faculty Course Director) authored the sections ‘Course context’ and ‘Course instructor’s perspective’. Brandon P. Hollingshead (Graduate Teaching Assistant) authored the sections ‘Literature review’ and ‘Teaching assistant perspective 6: interrogating coloniality in Canadian media policy and centring Indigenous-created media’. Kacie G. Hopkins (Graduate Teaching Assistant) authored the sections ‘Methodology’ and ‘Teaching assistant perspective 1: applying critical pedagogy to navigate cross-cultural online learning’. Fatemeh Soleimani (Graduate Teaching Assistant) authored the section ‘Teaching assistant perspective 2: inclusive, task-based teaching across borders in an online Canadian communication course’. Boxi Chen (Graduate Teaching Assistant) authored the section ‘Teaching assistant perspective 3: Canadian communication across modes and cultures’. Sebastian Yuxi Zhao (Graduate Teaching Assistant) authored the section ‘Teaching assistant perspective 4: challenging Eurocentric pedagogy through culturally responsive teaching beyond the classroom’. Ankit Singh (Graduate Teaching Assistant) authored the section ‘Teaching assistant perspective 5: from journalism to world-making – postcolonial limits to teaching–learning communication’. The sections ‘Discussion’ and ‘Conclusion’ were authored collectively.

Declarations and conflicts of interest

Research ethics statement

Not applicable to this article.

Consent for publication statement

Not applicable to this article.

Conflicts of interest statement

The authors declare no conflicts of interest with this work. All efforts to sufficiently anonymise the authors during peer review of this article have been made. The authors declare no further conflicts with this article.

References

Alencar,A. (2018).  Refugee integration and social media: A local and experiential perspective.  Information, Communication & Society 21 (11) :1588–1603, DOI: http://dx.doi.org/10.1080/1369118X.2017.1340500

Baker,S; Shulsky,D. (2020).  Planting the seeds of perspective consciousness: Creating resource sets to inspire compassionate global citizens.  International Journal of Development Education and Global Learning 12 (1) :2. DOI: http://dx.doi.org/10.14324/ijdegl.12.1.02

Bannerji,H. (2000).  The dark side of the nation: Essays on multiculturalism, nationalism, and gender. Canadian Scholars’ Press. https://archive.org/details/darksideofnation0000bann.

Benjamin,R. (2019).  Race after technology. Polity Press.

Bochner,A; Ellis,C. (2016).  Evocative ethnography: Writing lives and telling stories. Routledge.

Carless,D; Douglas,K. (2021).  Collaborative autoethnography: From rhythm and harmony to shared stories and truths.  Handbook of autoethnography. Adams,T E, Jones,S H;S Hand Ellis,CC(ed s .),   Routledge, pp.155–165.

Chakravartty,P; Kuo,R; Grubbs,V; McIlwain,C. (2018).  #CommunicationSoWhite.  Journal of Communication 68 (2) :254–266, DOI: http://dx.doi.org/10.1093/joc/jqy003

Chawla,D; Atay,A. (2018).  Introduction: Decolonizing autoethnography.  Cultural Studies–Critical Methodologies 18 (1) :3–8, DOI: http://dx.doi.org/10.1007/s10158-018-0220-8 30406849

Chawla,D; Rodriguez,A. (2008).  Narratives on longing, being, and knowing: Envisioning a writing epistemology.  International Journal of Progressive Education 4 (1) :6–23.

Chemi,T; Firing,K. (2024).  Learning in a writing laboratory: For a pedagogy of love and freedom. Palgrave.

Cote-Meek,S. (2014).  Colonized classrooms: Racism, trauma and resistance in post-secondary education. Fernwood Publishing.

Coulthard,G S. (2014).  Red skin, white masks: Rejecting the colonial politics of recognition. University of Minnesota Press.

Darby,F; Lang,J M. (2019).  Small teaching online: Applying learning science in online classes. Jossey-Bass.

Dwivedi,S. (2021).  100 years of media education in India.  Communicator 56 (3) :1–4, https://www.iimc.gov.in/files/inline-documents/COMMUNICATOR_JULY_SEP_2021.pdf. DOI: http://dx.doi.org/10.1007/978-3-319-62592-8_264-1

Eadie,W F. (2012).  Communication as an academic field: USA and Canada.  The International encyclopedia of communication. Donsbach,W(ed.),   John Wiley & Sons, DOI: http://dx.doi.org/10.1002/9781405186407.wbiecc065.pub2

Education by Design. (2025).  Meet the team, December2025 https://www.educationbydesignservices.com/our_team.

Ellis,C; Adams,T E; Bochner,A P. (2011).  Autoethnography: An overview.  Historical Social Research 36 (4) :273–290.

Fovet,F. (2021).  Using universal design for learning to create inclusive provisions for Indigenous students in higher education: Decolonizing teaching practices.  Advances in educational technologies and instructional design. Roberts,L N(ed.),   IGI Global, pp.253–274, DOI: http://dx.doi.org/10.4018/978-1-7998-5557-6.ch013

Fuchs,C. (2015).  Culture and economy in the age of social media. Routledge.

Gasher,M; Skinner,D; Coulter,N. (2020).  The formation of public policy.  Media and communication in Canada. 9th ed. Oxford University Press, pp.171–191.

Gay,G. (2018).  Culturally responsive teaching. 3rd ed. Teachers College Press.

Government of Canada. (2025).  Portrait of the South Asian populations in Canada, December82025 https://www150.statcan.gc.ca/n1/daily-quotidien/251208/dq251208b-eng.htm.

Grant,R. (2018).  Do trees talk to each other.  Smithsonian Magazine, :1–9, DOI: http://dx.doi.org/10.4324/9780429501548-1

Hayward,M. (2019).  Identity and industry: Making media multicultural in Canada. McGill-Queen’s University Press (MQUP), DOI: http://dx.doi.org/10.2307/j.ctvt6rmzg

Historica Canada. (n.d.).  Heritage minutes, https://www.historicacanada.ca/productions/minutes.

hooks,b. (1989).  Choosing the margin as a space for radical openness.  Framework: The Journal of Cinema and Media 36 :15–23.

Indian Institute of Mass Communication. (n.d.).   Programs, https://iimc.admissions.nic.in/programs/.

Innis,H. (2011).  Media in ancient empires.  Communication in history: Technology, culture, society. 6th ed. Crowley,D, Heyer,PP(ed s .),   Routledge, pp.14–20.

Jeremic,R. (2021).  Looking forward: Tying the critical to the digital in pedagogical practice.  Canadian Journal for the Study of Adult Education 33 (2) DOI: http://dx.doi.org/10.56105/cjsae.v33i2.5638

Ji,Y; Chen,Y-W. (2023).  ‘Spat on and coughed at’: Co-cultural understanding of Chinese international students’ experiences with stigmatization during the Covid-19 pandemic.  Health Communication 38 (9) :1964–1972, DOI: http://dx.doi.org/10.1080/10410236.2022.2045069

Kahn,P; Everington,L; Kelm,K; Reid,I; Watkins,F. (2016).  Understanding student engagement in online learning environments: The role of reflexivity.  Educational Technology Research and Development 65 (1) :203–218, DOI: http://dx.doi.org/10.1007/s11423-016-9484-z

Kubota,R. (2001).  Teaching world Englishes to native speakers of English in the USA.  World Englishes 20 :47–64, DOI: http://dx.doi.org/10.1111/1467-971x.00195

Ladson-Billings,G. (1995).  Toward a theory of culturally relevant pedagogy.  AERJ 32 (3) :465–491, DOI: http://dx.doi.org/10.3102/00028312032003465

Lee,H S; Anderson,J R. (2013).  Student learning: What has instruction got to do with it?.  Annual Review of Psychology 64 (1) :445–469, DOI: http://dx.doi.org/10.1146/annurev-psych-113011-143833 22804771

Light,J. (1999).  When computers were women.  Technology and Culture 40 (3) :455–483, DOI: http://dx.doi.org/10.1353/tech.1999.0128

Livermore,D. (2009).  Cultural intelligence: Improving your CQ to engage our multicultural world. Baker Academic.

Lu,H. (2020).  Online learning: The meanings of student engagement.  Education Journal 9 (3) :73–79, DOI: http://dx.doi.org/10.11648/j.edu.20200903.13

Martens,K. (2019).  APTN turns 20: ‘We weren’t supposed to succeed’.  APTN News, September72019 https://www.aptnnews.ca/national-news/aptn-turns-20-we-werent-supposed-to-succeed/.

Martin,F; Parker,M A. (2014).  Use of synchronous virtual classrooms: Why, who, and how?.  Journal of Online Learning and Teaching 10 (2) :192–210. https://jolt.merlot.org/vol10no2/martin_0614.pdf.

McFadden,S. (2014).  Teaching the camera to see my skin.  Buzzfeed News, April32014 https://www.buzzfeednews.com/article/syreetamcfadden/teaching-the-camera-to-see-my-skin.

Mignolo,W. (2007).  Delinking: The rhetoric of modernity, the logic of coloniality and the grammar of de-coloniality’.  Cultural Studies 21 (2–3) :449–514, DOI: http://dx.doi.org/10.1080/09502380601162647

Morris,S M; Stommel,J. (2018).  An urgency of teachers: The work of critical digital pedagogy. Hybrid Pedagogy Inc..

Noble,S U. (2018).  Algorithms of oppression. NYU Press.

Peters,J D. (2000).  Speaking into the air: A history of the idea of communication. University of Chicago Press.

Pratt,D. (2016).  Academic, linguistic, and socio-cultural experiences in the acculturation of Chinese international graduate students. Université d’Ottawa/University of Ottawa. https://ruor.uottawa.ca/bitstreams/531bd686-d153-44b2-854d-0d0b27aefdea/download.

Prince,M. (2004).  Does active learning work? A review of the research.  Journal of Engineering Education 93 (3) :223–231, DOI: http://dx.doi.org/10.1002/j.2168-9830.2004.tb00809.x

Rajan,R V. (1990).  Communication education in India.  Media Asia 17 (1) :32–37, DOI: http://dx.doi.org/10.1080/01296612.1990.11726325

Roose,T M. (2022).  Chinese international students’ social interaction and use of cultural resources in online discussions in an ESL classroom.  Journal of English for Academic Purposes 56 DOI: http://dx.doi.org/10.1016/j.jeap.2022.101092

Singh,I B. (1980).  The Indian mass media system: Before, during and after the national emergency.  Canadian Journal of Communication 7 (2) :38–49, DOI: http://dx.doi.org/10.22230/cjc.1980v7n2a248

Terranova,T. (2012).  Free labor.  Digital labor. Routledge, pp.33–57.

Tuck,E; Yang,K W. (2012).  Decolonization is not a metaphor.  Decolonization: Indigeneity, Education & Society 1 (1) :1–40.

Van Houweling,E. (2021).  Decolonising development practice pedagogy: Ways forward and persistent challenges in the synchronous online classroom.  International Journal of Development Education and Global Learning 13 (2) :136–149, DOI: http://dx.doi.org/10.14324/ijdegl.13.2.06

Veracini,L. (2010).  Settler colonialism. Palgrave Macmillan.

Wagener,M M; Eich,L. (2025).  Cooperation between development NGOs and schools in education for sustainable development and global learning.  International Journal of Development Education and Global Learning 17 (1) :40–52, DOI: http://dx.doi.org/10.14324/ijdegl.17.1.03

Wessendorf,S; Phillimore,J. (2019).  New migrants’ social integration, embedding and emplacement in superdiverse contexts.  Sociology 53 (1) :123–138, DOI: http://dx.doi.org/10.1177/0038038518771843

Wimpenny,K; Jacobs,L; Dawson,M; Hagenmeier,C. (2024).  The potential of collaborative online international learning as a border thinking third space for global citizenship education.  International Journal of Development Education and Global Learning 16 (1) :3. DOI: http://dx.doi.org/10.14324/ijdegl.16.1.03

York University President’s Advisory Council on Equity, Diversity, and Inclusion. (2023).  Decolonizing, equity, diversity and inclusion strategy 2023–2028. York University. https://www.yorku.ca/dedi-strategy/.

Yorku. (n.d.).  About, https://www.yorku.ca/dedi-strategy/about/.

Yu,J. (2023).  What has COVID-19 taught us: Advancing Chinese international student-related research, policies, and practices through critical race perspectives.  Teachers College Record 125 (6) :110–118, DOI: http://dx.doi.org/10.1177/01614681231190165

Zhao,S; Ebanda de B’beri,B. (2022).  Identity negotiation of Chinese international students in Canada: A study on cosmopolitan post-graduation settlement.  International Journal of Chinese Education 11 (1) DOI: http://dx.doi.org/10.1177/22125868211059197